Bangor Celtic Crossroads

For the last decade, Richard and Gordon have been performing and touring as a duo. Enthusiastic audiences have been taken on a roller coaster ride of exhilarating – even exhausting – jigs and reels, strathspeys and hornpipes, and beautiful airs, many composed by Richard himself. This is complimented by Gordon’s engaging songs, some humorous and some poignant, warming things up for the next fiddle blaze.

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MASTERS OF THE CELTIC HARP

Gráinne Hambly and William Jackson. Coming up March 31, 2018 at 7 pm at Bangor Arts Exchange Ballroom. 193 Exchange St. Bangor, ME.

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Gráinne Hambly and William Jackson are two of the foremost harpers of Ireland and Scotland. Combining their extraordinary talents on harp as well as concertina, tin whistle and bouzouki, The Masters of the Celtic Harp, have been performing all over the country and dazzling audiences with their artistry. Their Two Sides of Celtic show is a special treat.

“…the most creative interpretations of Irish and Scottish traditional music you’re likely to hear.”-IrishPhiladelphia.com

Since 1998 Gráinne Hambly has been touring extensively throughout the United States and has garnered an ever-growing following of devoted harp enthusiasts and has captured the Irish music fan with the taste for the fast, driving reels and jigs of traditional music. A lifelong County Mayo resident, Gráinne has won the senior All-Ireland titles on harp and concertina in 1994 and then the prestigious Keadue and Granard harp competitions. Her three critically acclaimed solo CDs, The Thorn Tree (2006), Between the Showers (1999) and Golden Lights Green Shadows, (2003) are “must haves” for every Irish harp player and fan. She and William Jackson teamed up and began touring as “The Masters of the Celtic Harp” in 2005 and have been traveling together ever since. They live now outside of Claremorris in County Mayo.
William Jackson of Glasgow has been at the forefront of Scottish traditional music for more than 40 years. Besides his stature as one of the leading harpers and multi-instrumentalists in Scotland, William has gained an international reputation as a composer. His “Land of Light” won the international competition in 1999 as the new song for Scotland. William was a founding member and creative tour de force of Ossian in 1976, which became one of Scotland’s best-loved traditional bands. The band, whose music influenced a generation of musicians, extensively toured the U.S. and Europe. Besides harp, he also plays tin whistle and bouzouki. William Jackson and his band Ossian were inducted into Scottish Traditional Music Hall of Fame Sept. 11, 2015 in Inverness Scotland and received the Lifetime Achievement Award from the Somerset Folk Harp Festival in July 2016.The Swannanoa Gathering awarded William its Master Music Maker award for Lifetime Achievement in 2004.

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Bangor Celtic Crossroads and Launchpad will present Cape Breton’s Ben Miller and Anita MacDonald in concert at the Bangor Arts Exchange located at 193 Exchange Street in downtown Bangor on Nov 14, 2017. Doors open at6:00 show starts at 7:00 pm. [Buy Tickets]

Ben Miller and Anita MacDonald join together, blending the rich traditional sound of the Cape Breton fiddle, with the fiery edge of the Scottish Border pipes. Combining their creative vision with influences from Old and New World Gaelic traditions, they create a powerful sound. Since meeting at the 2013 Celtic Colours Festival, Ben & Anita have toured across North America and further afield, wowing audiences with their captivating blend of driving dance tunes and soulful Gaelic airs.

Ben is an American-born player of Scottish bagpipes.His interest in traditional music stems from his exposure to the pipes at a young age, in his hometown of Queensbury, New York,as well as his family’s strong connections to its Scottish and Irish roots, through both his American mother and Canadian father. He began studying the Highland Bagpipes around age eight, but by twelve he began to shift his focus to the bellows-blown Scottish small-pipes and Border pipes. Ben is also an academic, holding an undergraduate degree in Music, as well as a Master’s degree in Scottish Ethnology, from the University of Edinburgh’s School of Scottish Studies. His repertoire and style draw mainly on the Gaelic traditions of Western Scotland and the Canadian Maritimes, blended with a healthy dash of Irish tunes for good measure.

Anita is an accomplished musician, dancer, and Gaelic singer from Little Narrows, Cape Breton. She began step-dancing in the family kitchen at the tender age of four, and picked up the fiddle a few short years later, at age eight. She has been wowing audiences with her impeccable timing and neatly choreographed steps ever since. Anita’s fiddle playing has a distinctive sound, influenced by the deep roots of her musical family. Her energetic style has put her in demand as a performer and teacher, across Cape Breton and beyond.

Guest artists include Tyson Chen, Ottawa Ontario, on piano and Zak Cormier Wellington PEI, on foot percussion and guitar.

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Launchpad is an Arts Incubator focused on Creative Place-making in Maine through its work with emerging artists & partner organizations.

Bangor Celtic Crossroads will present Barrule from the Isle of Man at The Hammond Street Congregational Church on Friday October 27 at 7:00 pm.

The unique sound of traditional Manx music is the Celtic World’s best kept secret. This has changed with the introduction of Barrule, the Award winning trio dedicated to taking the music of the Isle of Man to a much wider audience.

Named after the famous Manx summit where legend says the ancient Celtic God Manannan MacLir stalked his mighty fortress, Barrule fuses three distinct musical forces – gifted fiddle-player Tomas Callister, accordion wizard Paddy Callaghan  and versatile accompanist Adam Rhodes on bouzouki. Together this versatile acoustic unit creates a powerful and wholly distinctive sound.

With bold but sensitive arrangements, the trio presents a fresh take on traditional and contemporary Manx music. While sharing common ground with its Celtic cousins, as well as the English tradition, Manx music has retained its own particular and inherent Manxness: an atmosphere evoked by the music that speaks of the natural beauty of the island and the lives of its inhabitants.

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